Tyler Eckels has seen a lot. Still in the waning days of his 20s, Tyler has lived the rigor of military discipline, running satellite communications from inside a mountain for the Army, and seen the whims of wild power plays as producers deftly move millions on movie productions.
After the army, Eckels, now a respected cinematographer, decided to pursue music. He studied audio engineering and even built a professional recording studio. Little did he know, all that audio equipment was about to get pushed out of the way by a new passion: filmmaking.
A good friend had started shooting films, and Eckels was all in.
“I liquidated the studio and it all went into filmmaking gear,” Eckels said.
Eckels heard about Nashville Film Institute, a 9-month vocational film school, and discovered that his GI Bill benefits would pay his tuition and a sizable living allowance while he learned the practical skills he needed to follow his new dream.
As it turns out, it’s not a new dream after all.
“It’s funny, I used to make movies as a kid, but not as a filmmaker,” Eckels said. “I’m obsessed with World War II, and I spent my weekends making movies about World War II. Now I go back and watch… I can literally see the filmmaker in me.”
The film world seemed mythical and unreachable, so Eckels didn’t even consider it as a career path. Making movies was something other people got to do.
“It never seemed like a remote possibility that I would work in the movie business,” Eckels said. “It’s weird how it has circled back around. I’ve been put in a situation to just do the things I’m good at, and not have to do anything I’m bad at.”
Looking back, Eckels favorite class at NFI was Film Studies taught by Micah Ellars.
“It was awesome learning how some of these great films came to be,” Eckels said. “It was invigorating!”
Eckels made an impression on Ellars as well.
“He has a strong drive and ambition, and a good sense for quality. I know he is very capable,” Ellars said.
Eckels impressed his teacher further by taking on challenging special effects –air cannon explosions– to simulate World War II bombs for his NFI student film.
After nine months of intensive study at Nashville Film Institute, Eckels got his big break into the film industry.
“NFI secured a project that was being filmed in Nashville. I met the line producer, and that was my intro to legitimate filmmaking!” Eckels said.
Eckels’ work ethic served him well as he grew his first job on a film set into a career that is ever expanding.
“At first I was literally a free intern,” Eckels said. “With the military experience I knew how to put my nose down and work my butt off.”
The producer fired a stand-in and gave Eckels his $100 day rate to keep him on after the internship week. Although Eckels has since been in demand on films starring Bruce Willis and Mel Gibson, the bigger-budget work keeps the lights on so Eckels can make films that matter to him.
“I want to change the form of filmmaking, open it wider. It opens people’s minds up,” Eckels said. “I want to make good, thought-provoking movies that people will want to watch forever.”
With his fellow classmate Austin Taylor who he met at NFI, Eckels now runs a busy film production company called W.B. Tyler in Fitzgerald, Georgia. He is also reaching a hand back to those who follow, exploring a project to provide studio space and equipment for young filmmakers to come make movies at a high level but without a big budget.
Eckels has some advice for anyone taking their first job in the film industry:
“You have to be multi-dimensional and figure out where you fit in. Be the clutch dude who is helping this big machine move along,” he said. “Be a cool person. Be open to that door opening to you.”
Always being drawn to the camera, Eckels made that his primary focus in the diverse world of filmmaking. He quickly became the go-to cinematographer for his fellow colleagues for any and all of their creative projects.
It wasn’t long before Eckels started getting calls from the upper echelons of the Nashville film production community. Shortly after graduating from NFI, Eckels was fortunate to work on numerous commercial campaigns and music videos in the Nashville area.
Although he was very thankful for these opportunities, Eckels heart lay in the land of true cinema. “It was important to cut my teeth on any kind of gig I could get my hands on, and even though we hardly knew what we were doing, it felt like it was time to level up.” he says.
In the summer of 2018, he and his creative partner Austin Taylor headed to Los Angeles to take the next step on the filmmaking journey.
It didn’t take long for Eckels to secure his debut feature film as a cinematographer on the indie feature, Birds.
“We really swung for the fences”, Eckels said. “We shot for 26 days straight, no breaks. It was the most amazing and awful experience of my life. Everyone involved pushed themselves to the limit. We didn’t give ourselves any rules. The door was open for anyone to throw in their ideas. I could test any crazy lighting or framing idea that popped in my mind, so that was worth all the crazy hours” he said.
After almost two years of grinding and networking in the City of Angeles, Eckels and Taylor had to head back to the south. An old friend, producer Alexander Kane, called and said “boys, y’all want to shoot a Bruce Willis movie?”. Naturally, the answer was yes! The next step had arrived.
Eckels assembled a team and a camera package and headed to Fitzgerald, GA to start production on the film American Siege. The film already had a cinematographer on board, so Eckels became a camera operator on the project. The demands of film became so great that Eckels was quickly promoted to 2nd Unit cinematographer.
Eckels seized this opportunity to shine and has now shot 5 more feature films as a camera operator or 2nd Unit cinematographer. He is now slated to be the primary cinematographer on a television show shooting this winter and a feature film shooting January of 2022.
Hide Camera and Electrical Department (5 credits)
White Elephant ( B Camera Operator ) ( filming )
2022 Bandit ( 2nd Unit Cinematographer ) ( post-production )
2022 Gasoline Alley ( B Camera Operator ) ( post-production )
2021 American Siege ( 2nd Unit Cinematographer ) / ( camera operator ) ( post-production )
2021 Reactor ( B Camera Operator ) ( post-production )
Hide Additional Crew ( 2 credits )
2018 The Dead Center ( production assistant )
2018 Love, Gwen ( Short ) ( production assistant – as Tyler Eckles )
Hide Director ( 1 credit )
Trog ( as Tyler Eckles ) ( pre-production )
Hide Actor ( 1 credit )
2019 Crossley ( Short ) Eckels
Hide Writer ( 1 credit )
Trog ( as Tyler Eckles )( pre-production )
Hide Cinematographer ( 1 credit )
2018 Potter’s Ground ( Short ) ( director of photography – as Tyler Eckles )
Hide Sound department ( 1 credit )
2018 Love, Gwen ( Short ) ( sound editor – as Tyler Eckles )